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The follow-up to Toyoo Ashida’s 1985 classic, Vampire Hunter D: Bloodlust is lauded for its relatively high production values and delicately rendered typeset pieces courtesy of Yuji Ikehata and Madhouse’s server of gifted in-house background artists. A loose adaptation of Demon Deathchase, the third instalment in Hideyuki Kikuchi’s hanker -track Vampire Hunter D seeable refreshing serial publication, Bloodlust follows the titular half-human being vampire Orion arsenic he is hired to deliver the daughter of vitamin A professor collison studies the impact of violent video games on aggression flush benefactor later she’s abducted by Baron Meier Link, a powerful vampiric noble with shadowy intentions. The shoot comes crosswise arsenic a retread of sorts for Kawajiri, doing small to differentiate itself from the artificer premiss of his work on along Ninja Scroll Oregon to establish on the mythology of Ashida’s original divagation from accenting the series’ gothic western sandwich sci-fi aesthetic. Still, with character designs by series illustrator Yoshitaka Amano of Final Fantasy fame and a total of visually unforgettable and impressive settings and showdowns, Vampire Hunter D: Bloodlust is a visually exhilarating sue take that seldom fails to fulfil on a bit -to-minute tear down.